Friday, August 14, 2009

Rhodium

Discovered in 1803 by English chemist William Hyde Wollaston, Rhodium was named by its finder after the Greek word rhodon, meaning 'rose.' It is mainly found in South Africa and the Ural mountain range. Rhodium is the world's de facto #1 most expensive precious metal, and discovered in such scarce quantity that the planet sees only 3 tonnes of annual production. Amidst market fluctuations Rhodium steadily maintains a price roughly 500 times that of silver and 5 times that of platinum. In 1979, Paul McCartney's success as the best-selling songwriter of all time was recognized by the Guinness Book of World Records with the presentation of none other than a rhodium-plated record, thus demonstrating the great cultural superiority of rhodium to all other precious metals up to and including platinum.


With an unmatchable character, it's easy to see why it's so sought after: rhodium will not tarnish or oxidize when exposed to normal levels of heat and light, and it is even immune to common corrosive substances like chlorine and fluorine that threaten other precious metals. It is also wonderfully reflective, and is frequently used as a component in optical instruments in the medical field. For all of these reasons, on top of its amazing structural rigidity, Rhodium is truly the 'rose' of the precious metal family. In the jewelry world it is commonly electroplated onto gold, copper, or silver objects to imbue them with some of its fantastic properties. The result of rhodium plated copper, for example, is a piece that combines all the durability and brilliance of pure rhodium with the common availability and low price of copper. This kind of electroplating in chains and findings puts the world's most expensive precious metal in the hands of up-and-coming designers, and around the necks and wrists of all. As an added bonus, Rhodium is hypoallergenic, and as plating it provides a protective layer for anyone sensitive to gold, nickel, or silver.


Click here to browse Rodium Plated Silver Chains at Stones and Findings


Click here to browse Rodium Plated Silver Findings at Stones and Findings

Attaching the Leather Bead Tip

If you can perform the Crimp, you can fix a bead tip to a leather necklace, bracelet, or anklet. Our example uses a Thin Round Leather Strand and two different kinds of Sterling Silver Leather Bead Tips, but it doesn't really matter as long as the leather fits snugly into the opening of the bead tip. You will also need some chain nose pliers.



Attaching the Leather Bead Tip

In the first example below, the leather is inserted into the bead tip as far as it will go. Since the bead tip is round to begin with, all you need to do is perform a crimp to flatten it out. Use the midsection of the pliers teeth to get more leverage in crushing the metal around the leather.




In the second example, the bead tip is slightly more challenging to attach because it is neither round nor closed to begin with. Slide the leather into the slot of the bead tip, and hold it there with your free hand. Crimp the bead tip slightly with the nose of your pliers to hold it onto the leather, allowing you to remove your supporting hand. Then, when you've accomplished all that you can with the tip of the pliers, it's time to crimp the bead tip to the point where both sides of the opening close in to the centre. Do this slowly and in stages. When crimping from one angle is too difficult, switch to another side, and eventually what started as a square slot turns into something totally round. Finished!


How to Tie a Leather Knot End





Finishing a leather necklace or bracelet with a knotted end is quite simple, but it produces a rustic and natural aesthetic that can be just what your accessory calls for. Our example uses a Thin Round Leather Strand and a 5mm Soldered Ring.

Performing the Leather Knot End

Slide the leather strand through the ring, and then fold a length of it back with the rest of the leather. Don't be afraid to give yourself a generous amount of slack to work with, because you'll always be able to trim the excess. Now, making sure to keep the two side-by-side strands of leather close to each other, form a loop and slide the ring through it. Do not finish the knot immediately; take your time and edge the knot as close to the ring as possible. If you do this when the knot is still a little bit loose than you will still have room to make adjustments- once you finish the knot tightly it will be difficult to undo. Finally, when you're satisfied that the knot is neat and looks good, pull it taught to secure the ring. Finished!


Lava Beads

What are Lava Beads?



by: Paula Gheorghiade

Lava Flat Pear Bead


Lava beads refer to beads that are made from volcanic material, cut and faceted into a variety of shapes and sizes. Lava beads are very lightweight, and most tend to float since they are made of hardened magma and ash. As a result, they can only be produced in areas where volcanic material is available. Depending on the area and the mineral content of the lava, the lava beads will either be very dark in colour and close to black, reddish-brown or reddish grey. Stones and Findings carries a selection of black Lava Beads in a variety of shapes.


Designing with Lava beads is very easy and fun. Due to the dark colour of the bead, you can virtually add any other colourful bead, crystal or freshwater pearl in a combination that works for you to create stunning classic or funky summer pieces. I love to take a funky strand like the Diamond Cube Lava Beads and add some beautiful Red Coral for contrast and you’ve created a fun and versatile piece. Feel free to also add some sparkly Crystal pieces , or small sterling silver or gold filled beads for some shine.



Lava Cubed Diamond Bead


No matter what design you come up with, Lava Beads are bound to be a success due to their unique look and feel. They will complement any funky, colourful or sparkly jewellery bead. So click here to view our selection, and start designing with Lava Beads today!

Abalone Shells

What are Abalone Shells?



Abalone Dyed Blue Shell Flat Rectangle


Abalone refers to the small to medium sized sea mollusks and snails, that have low and open spiral shells. The shells of abalone are oval in shape, with an iridescent nacre lining the inside. This beautiful colour variation and shine on the inside of the Abalone shell is what makes abalone shells desireable. Abalone shells have been popular for hundreds of years, due to their beautiful iridescent colours, used and prized in religious ceremonies. Abalone shells are also desirable as adornments, decorative items in jewellery, button and inlaid furniture. Abalone shells are harvested for both food and their shells, with some countries strictly regulating this practice, to prevent illegal activities. Some countries that harvest abalone shells include Africa, Australia, South America and the Orient.



Abalone Dyed Purple Flat Pear


Abalone shells are very popular in New Zealand and Australia especially in jewellery designs. The beautiful natural iridescent blue and green colour provides a great focus to any jewellery design, whether it is an earring, necklace or bracelet. The blue and green iridescent colour of Abalone shells is sometimes dyed to create an even more stunning effect. This dyeing process, if it is high quality, should set the colour within the shell so that it will not transfer onto any other beads or articles of clothing.


The natural abalone shell is becoming increasingly popular in North America, as more and more designers are mixing this higher end shell with sterling silver chains, sterling silver components, gold Vermeille and gold filled components, as well as semi-precious stones. This look is worn year round, with many designers and consumers no longer reserving wearing shell jewellery during the summer months. The more colourful and dyed abalone shells tend to be more popular in the summer months, and especially when combined with cruise wear and colourful summer dresses, either in the city or on vacation.



Click here for a great selection of shells available at Stones and Findings and get inspired to design with Abalone today!

Metal Allergies -- Sterling Silver and Gold Karats



People are allergic to metals for 2 main reasons; nickel and, less often, from salts leaching out of copper. Nickel is the main concern with roughly 12% of all women and 6% of males are allergic to nickel. Furthermore, even people with no history of nickel allergies will develop them over time if their skin makes regular contact with nickel. Most metals used in jewellery making such as silver, gold, rhodium, platinum or palladium are not known to cause allergic reactions in their pure forms. However, these metals are commonly alloyed with other metals to reduce cost, to make the metal more durable or to make the metal easier to work with.



Semi-precious and fashion jewellery comes predominately in a gold or silver tone. For gold tones, it can be karat gold, gold-filled, or achieved with gold plating over a base of sterling silver- a process known as gold vermeil- or, simply brass coated with clear lacquer. Brass, even with lacquer coating, is never recommended for jewellery making because it tarnishes extremely quickly and discolours to a patina green or black and leave marks on the skin. Copper has a fairly good reputation among people with sensitive allergies, but it too can generate rashes on the skin of the wearer as a result of the salts that are gradually teased out of the metal, causing dermatitis with prolonged exposure.

While karat gold and gold-filled can be brought back to their original shine, plated metals can not, and more people tend to be allergic to plated jewellery. Plating is thin and comes off easily with wear, and also there is leaching of the base metal. For these reasons, is not recommended for better quality or hand crafted jewellery. It is most often used in imported and low-end mass market jewellery.




Since people aren't allergic to gold but rather the base metals it is alloyed with, high purity is ideal. The higher the karat, the more pure, the fewer people are allergic to it. Unfortunately a person with a strong sensitivity to nickel will find that even 18 karat gold may be totally unwearable- after all, it is still only 75% pure gold. The same holds true for gold-filled, which also has different levels of gold purity.



Silver tones in jewellery are most commonly achieved with sterling silver, nickel-plating over a base metal, or pewter with a lacquer coating. Pewter has a steel grey colour, which is not desirable for some markets. It is a popular casting metal, but it is also soft, making it a less favourable metal for findings such as earring hooks and clasps. Pewter has a remarkably clean allergy track record, and problems only arise when the metal is alloyed with, surprise surprise, nickel. Many manufacturers go out of their way to notify clientele that their pewter is nickel-free, and you shouldn't be shy about inquiring if you are ever unsure.

The same people who react to low-karat gold jewellery will almost certainly also react to cheap silver jewellery, a function of the same culprit: nickel. Silver-looking articles sold for bargain prices have been found to contain as much as 78% nickel, sometimes coated with a silver layer that unfortunately does little to protect the skin of the wearer. Even worse is nickel silver, or so-called German silver, which is 90% nickel and 10% tin. Nickel is incidentally also responsible for occasional allergic reactions to surgical grade stainless steel (8-12% nickel), which for that exact reason is rapidly being replaced by titanium for body implants and orthodontic work.

Sterling silver, finally, is also sometimes partly alloyed with nickel, but has rarely been known to cause breakouts or rashes. This is the case because sterling silver is still (by definition) 92.5% pure, with the remainder usually accounted for by copper, which in such small concentration has never been reported to cause skin maladies. In cases where nickel is used as well as copper to make up sterling silver's remaining 7.5%, the percentage is still far too low and inactive even to offend the skin of someone with strong nickel sensitivity.

When gift giving, you should always be sure how sensitive the intended recipient's skin is. When designing for resale, one should always be conscious of perceived value. Sterling silver and gold are much more popular and this value will translate into more sales. If time and effort is to be invested in a unique design and hand crafting, one should use only sterling and karat or gold-filled metals.

Reference Charts -- A Jewelry Maker's best friend :)




When working with jewelry, putting everything into inventory and organizing all the stuff you just bought online into your collection....you'll come across metric vs imperial increments, gages, weights -- god knows what.

Best thing to do is print out these reference charts and keep 'em handy.
I use them all the time so my head doesn't blow up when I receive a new shipment!


INCHES TO MILIMETERS



Inches Millimetres
1/32 0.79
1/161.59
3/322.38
1/83.18
5/323.97
3/164.76
7/325.56
1/46.35
9/327.14
5/167.94
11/328.73
3/89.53
13/3210.32
7/1611.11
15/3211.91
1/212.7
17/3213.49
9/1614.29
19/3215.08
5/815.88
21/3216.67
11/1617.46
23/3218.26
3/419.05
25/3219.84
13/1620.64
27/3221.43
7/822.23
29/3223.02
15/1623.81
31/3224.61



MILIMETERS TO INCHES




Size in Millimetres Nearest Equivalent in Inches
11/32
21/16
31/8
45/32
5 3/16
6 1/4
7 9/32
8 5/16
9 11/32
10 3/8
11 7/16
12 15/32
13 1/2
14 9/16
15 19/32
16 10/16
1711/16
18 23/32
19 3/4
20 13/16




NECKLACE LENGTHS


Choker 16 Inches
Princess18 Inches
Matinee24 Inches
Opera32 Inches
Rope48 Inches




WIRE GAUGES







Gauge Inches
(Decimal)
MillimetresInches
(Fraction)
10.2897.348
20.2586.543
0.2506.3501/4
0.2345.95315/64
30.2295.827
0.2195.5567/32
40.2045.189
0.2035.15411/64
0.1884.7623/16
50.1824.621
0.1724.36611/64
60.1624.115
0.1563.9695/32
70.1443.664
0.1413.5729/64
80.1283.263
0.1253.1751/8
90.1142.906
0.1092.7787/64
100.1022.59
0.0942.3813/32
110.0912.31
120.0812.06
0.0781.9845/64
130.0721.83
140.0641.63
0.0631.588
150.0571.449
160.0511.291
0.0471.1913/64
170.0451.14
180.041.02
190.0360.91
200.0320.81
0.0310.7951/32
210.0280.71
220.0250.64
230.0230.58
240.020.51
250.01790.455
260.01590.404
0.0160.3961/64
270.01420.361
280.01260.32
290.01130.287
300.010.25
310.00890.226
320.0080.2
330.00710.18
340.00630.16
350.00560.142
360.0050.13
370.00450.114
380.0040.1




INTERNATIONAL RING SIZE CONVERSION CHART



US / CanadaBritishIrishAustralian
1/4
1/2A
3/4A 1/2
1B1
1 1/4B 1/2
1 1/2C
1 3/4C 1/2
2D21.5
2 1/4D 1/2
2 1/2E32.75
2 3/4E 1/2
3F44.00
3 1/4F 1/255.25
3 1/2G
3 3/4G 1/2
4H7
4 1/4H 1/27.75
4 1/2I8
4 3/4J9
5J 1/29
5 1/4K10
5 1/2K 1/210
5 3/4L11.75
6L 1/21112.75
6 1/4M12
6 1/2M 1/21314
6 3/4N
7N 1/21415.25
7 1/40
7 1/20 1/21516.5
7 3/4P
8P 1/21617.75
8 1/4Q
8 1/2Q 1/217
8 3/4R19
9R 1/218
9 1/4S20.25
9 1/2S 1/219
9 3/4T21.5
10T 1/220
10 1/4U21
10 1/2U 1/22222.75
10 3/4V
11V 1/223
11 1/4W25
11 1/2W 1/224
11 3/4X
12X 1/22527.5
12 1/4Y
12 1/2Z2628.75
12 3/4Z 1/2
1327
13 1/4Z1
13 1/2
13 3/4Z2
14Z3
14 1/4
14 1/2Z4
14 3/4
15
15 1/4
15 1/2
15 3/4
16


LENGTH AND WEIGHT MEASUREMENT CONVERSION CHART


To Convert...Into...Multiply By...
centimetresinches0.394
feet0.0328
metres0.01
millimetres10
metrescentimetres100
feet3.281
inches39.37
inchescentimetres2.54
feet0.0833
metres0.0254
yards0.0278
yardsinches36
feet3
metres0.914
grammesounces0.035
pounds0.002
kilogrammes0.001
ouncesgrammes28.35
pounds0.0625
kilogrammes0.028
poundsgrammes453.59
ounces16
kilogrammes0.454



WIRE WRAP STRENGTH STANDARDS



Wire Guage Acceptable WeightStretch-Causing Weight
26 dead soft350g400g
26 soft450g500g
26 half hard600g650g
26 hard900g1000g
24 dead soft1250g1500g
24 half hard1700g2000g
22 soft4000gover 4000g




WIRE GAUGES VS. STONE AND DRILL HOLE SIZES


Stone SizeHole Diameter (mm)Wire Guage #Wrap Times
smallless 0.5261
small0.5 ~ 0.8262 ~ 3
medium0.8 ~ 1241
medium1.1 ~ 1.5242 ~ 3
medium ~ big1.6 ~ 1.8221
medium ~ big1.9 ~ 2.5222 ~ 3
bigover 2.5201 ~ 2



There are obviously so many other charts you'd probably need, but I find that these are the ones I need the most! Feel free to contribute!